007 and Tin Men - East Coast Shows added!

Go check out all the details on the 007  - 'Shows' Page.
Come on out so we can Rock You Steady.

Go check out all the details on the Tin men - 'Shows' Page.
Come on out so we can Confuse and Enlighten.


Alex - Video Diary Entry - Play (1.4Mb QuickTime)

It’s nice to finally be able to get a moment to do a diary entry. I’ve been busy as hell, and nothing sticks in my head right now, so I’m just going to try to catch up. There have been a lot of things in the past few months that have happened where I said to myself, “gee, there’s something for the diary”, but for the most part it’s good that I didn’t put them down as they were at least in one case a totally vitriolic rant about the scumsucking, lying, venal cunt who screwed one of my bands out of some money at a certain club that, unfortunately, I’ll have to play at again. Suffice it to say, this piece of dogshit will get a large piece of my opinion shoved very far up his ass as soon as this certain gig is over and whatever pittance this slimeball deems fit to hand over is...

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Hey folks. Welcome to the new and improved

The site’s going to do a lot more things now and should be more amenable to updates. And we all love for stuff to be current, don’t we?

The coolest part will be that there will finally be song clips up for “Banjaxed” the Tin Men cds, the Fingerbowl stuff, 007 and anything else that comes down the pike. The only thing is I need to find some F-bowl cds so that I can sell them, and I don’t think the label that owns those masters are going to exhibit much largesse anytime soon. At any rate, I hope to have Fingerbowl cds available here soon. We’ll figure something out.

Also we’re working on the photos page for all you aficionados out there. If you have a picture to post on the site, send it in to It doesn’t have to be of me or any band I play with, either. Send anything you want and I’ll post what I can.

And that’s because I’m going to be posting this stuff...

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New Photo

Just added a great new photo of me and Jonathan from Jazz Fest this year.
check it out on the photos page here...

Tin Men - Freaks For Industry reviewed in Offbeat

"Only in New Orleans could an album featuring jazz guitar, washboard, and tuba—and those instruments only, save for an occasional short-order cook’s “order up!” bell—be most notable for its songwriting."

read more on OffBeat...   or locally here...


007 Jazz Fest Live CD is available

007 Jazz Fest Live CD is available available at

For those of you who missed this years Jazz Fest 007 performance (I know, it was an early 11am time slot), or if you caught it and want to re-live the experience over and over, you can get a cd of show for your very own rock steady self.

They also have last years (2004) performance from the Lagniappe stage for sale as well. Buy them all, I say. Hell man, get your neighbor one too.

And be sure to go check out the new 007 rock steady web site at:


Tin Men - Freaks For Industry reviewed in Best Of New Orleans - Gambit Weekly

"The album, though, features the band at its irrepressible best. Recorded over four days last September and October, it explores New Orleans' musical forms in original songs or covers that touch on jazz, blues, R&B and rock. The Tin Men cover Danny Barker's "Palm Court Strut," the Dirty Dozen's "Blackbird Special," and McMurray's "The Ballad of Cap'n Sandy," which tells of the darkly funny drinking life of the character McMurray played while working in a Japanese theme park for six months. That sense of humor and the band's unique instrumentation unify Freaks for Industry. "

read more from gambit...  or locally here...


Tin Men - Freaks for Industry

OPENING ACT By Alex Rawls by Alex Rawls

CD Release Party
The Big Top, 1638 Clio St

Freaks for Industry, the self-released second album from New Orleans' Tin Men, seems improbable. The trio of Alex McMurray on guitar, Matt Perrine on sousaphone and "Washboard" Chaz Leary on washboard was an unusual band configuration from the outset, but McMurray's move to New York City last October after falling in love with a New Yorker sounded like the band's death knell.

The album, though, features the band at its irrepressible best. Recorded over four days last September and October, it explores New Orleans' musical forms in original songs or covers that touch on jazz, blues, R&B and rock. The Tin Men cover Danny Barker's "Palm Court Strut," the Dirty Dozen's "Blackbird Special," and McMurray's "The Ballad of Cap'n Sandy," which tells of the darkly funny drinking life of the character McMurray played while working in a Japanese theme...

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Freaks for Industry

Introducing the First Annual - Chaz Festival

 Chaz Festival



I suppose I should make an entry into this web-deal. Nothing really in the way of news. Just waiting around for some lady at the hospital to call and interview me about getting into Medicaid. Its 10:15 in the morning and I've been up for an hour. I think I would give my right eye for a cigarette.

Its Mardi Gras time again. Balls to this. Neck deep in assholes from Teaneck to Tacoma, all parking themselves between me and where I have to go, and not a red cent in their fanny-packs. Yessir, it's a one hour commute between Gallier and Canal streets these days. Does anyone out there know anything about flamethrowers? Send any and all info/schematics/prototypes to 615 Gallier st. nola 70117. What I've been craving is a big, mean-looking fire-spitter. Jellied gasoline flying across Bourbon St. Pale, waxy tourist-legs soaked with...
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Well kids. If you tried to come see me play in January 2004 you were shit out of luck for the most part because i caught pneumonia in NYC and spent 2 weeks in the hospital. All manner of fucking tubes and wires coming out of me. I looked and felt like something out of science fiction. But I'm out now and they say I am going to live. Managed to get one in at the Lakeside Lounge Tues 1/20 (thanks everyone for coming out), which went well, although my voice sounded a bit like Peter Brady's. The big story is that they put me on The Patch, so no smoking. The tradeoff isn't as bad as it could have been, for The Patch gives you the most vivid dreams about mathematics you can imagine. As i was warned by Jim Merrill up in Maine. I'll be back in New Orleans Feb. 4 to go back to the Old Grind at the Circle Bar. Where i shall share all the news of my...
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Hear ye, hear ye

My new record is finally done and shrink-wrapped for your safety and protection. All you need to do is acquire it somehow (through this miraculous website, of course), grab the biggest bottle of cough syrup you can find, borrow a friend's car with a cd player, find a nice straight road and start driving. Better yet, get dumped or dump someone and hang around behind the bowling alley with a discman and a bottle of muscatel.

You fingerbowl fans are in luck because, while the tin men and 007 are fine bands, there's just too much finger snapping for People Like Us. Working titles for The Record were "For the Aficionado" and "Too Bleak for Even the Fingerbowl". Indeed, I'm joined by Carlo Nuccio and Matt Perrine on most of the tracks, but we also got Bob Andrews, Joe Cabral, Debbie Davis, Sue Cowsill, Glenn Hartman, James Singleton, Grace Treffinger, David Torkanowski, Rick Trolsen,...

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Tin Men Rosy's Jazz Hall

I felt pride for New Orleans as Tin Men dropped city references in songs like "Location, Location" and "Uptown Girl." On "Uptown Girl," vocalist/guitarist Alex McMurray spelled out subtle differences between those below Claiborne and those above it. Differences only a local can fully appreciate. This talent is probably one of the reasons everyone I've talked to about Tin Men have expressed nothing but love.
Sousaphone guy Matt Perrine and washboardist Chaz Leary rounded out the band at a full Rosy's Jazz Hall for Scat Magazine's monthly magazine release party Thursday night.

The band was in top form. They have an eclectic sound, but it's always something you can dance to, as many people proved Thursday night. They did R&B, jazz, blues, and rock n'roll love songs, but everything was anchored by Perrine's brass band bop, which made me tap my foot or swing it during every song.


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Circle Bar performance Review by Jason Songe

Alex McMurray is the singer/songwriter soul of New Orleans. Proof is in the love he was showered with when he returned from a sojourn.

First, he left us for a year-long stint in Japan and returned to a welcome home party at The Circle Bar. Next, he spent all of last month in New York City playing in French dives and having surgery on his lungs for an undisclosed illness.

I Love Alex McMurray, Everybody's Favorite Songwriter

Back From Tokyo

Offbeat Magazine by Christen Hardy

McMurray says that Banjaxed, the title of his first solo album, is Irish slang for being “frustrated or stymied via a fuckup, usually involving booze.”

McMurray admits that Banjaxed is a “little bit dreary,” and, at times, it is. “Effortless Binge” is standard Alex McMurray fare, but like most of his solo album, it is a bit more vulnerable, both lyrically and musically, than his previous efforts. I typically shy away from songs that include holidays/neighborhoods/themes that are exclusive to New Orleans, but McMurray’s “The Day After Mardi Gras Day” is the most accurate description of the empty feeling that creeps in immediately following Fat Tuesday I’ve ever heard.

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Offbeat Magazine Banjaxed

All Music - Super Great Music for Modern Lovers - Review by Eugene Chadbourne

The Tin Men trio of New Orleans should for sure not be mixed up with Tinmen, a house music mixing outfit, or T.I.N. Men, a rock band that made one album in the late '90s. Putting aside the small pile of tin entirely, few groups have a sound as nifty as this one. Super Great Music for Modern Lovers

The Big Sleazy

Fingerbowl hops the New Orleans/Boulder Express

Boulder Weekly by P.W. Miller

When metaphysical Elizabethan poet John Donne wrote "no man is an island, entire of itself," he was referring to the collective plight of mankind and the certainty of death. Now, when Royal Fingerbowl singer/songwriter/guitarist Alex McMurray howls "No man is an island/On the other hand, I'm an island," he's referring to the lonely, sordid circles outside civilization which transcend such lofty clich�s.

These "Bad Apples" orbit the Faubourg Marigny scene-the fringe of the French Quarter-where classic New Orleans sounds and youthful invention mix in a mumbo gumbo of funk, jazz, R&B and blues. It was there in 1995 that Red Bank, N.J., carpetbagger McMurray fibbed (claiming he had a band when, in fact, he didn't) in order to land a gig at a sketchy Thai dive called the Dragon's Den. Things fell into place, and with a little help from drummer Kevin O'Day and bassist Andrew Wolf, the...

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